D.S. al Coda

2018

Deriving its name from music notation, DS al Coda refers to the point at which you revisit a section of the composition. The exhibition is a revisiting of both an archive and the artist’s previous work. Including outtakes and peripheral pieces from an ongoing exploration into climate monitoring sciences and personal family archives, the source material is altered to create the newer works. Photographs become installations, cameras becomes sculptures and books become disfigured laser prints. The reworking speaks to the constant state of flux that both the environment and creative practices go through and the inability for an image to hold one singular meaning.

This body of work was displayed at The Letter Bet Gallery in Montreal during the month of September.